WORKLOAD OF THE IMMC 

 

ORCHESTRA CONDUCTINGORCHESTRAL TRAININGCORREPETITIONCOMPOSITION TECHNIQUESHISTORIC AND STYLISTIC ANALYSIS OF COMPOSITIONPIANOTECHNIQUE AND INTERPRETATION OF SINGING IN OPERACYCLE OF CONFERENCES IMMC

ORCHESTRA CONDUCTING

Conductors Active Participants:

*Numerus clausus: 16

  • TOTAL CONDUCTING: 1600 MINUTES
  • TOTAL CONDUCTING CLASSES: 60 HOURS
  • TOTAL THEORETICAL CLASSES: 30 HOURS
Selected Outstanding Conductors for Symphonic Repertoire:

*Numerus Clausus: 3 Outstanding Conductors for the Symphonic Repertoire and designation of reserve Conductors

  • TOTAL CONDUCTING 630 MINUTES
  • TOTAL CONDUCTING CLASSES: 60 HOURS
  • TOTAL THEORETICAL CLASSES: 30 HOURS
Outstanding Conductor for the Opera Repertoire

*Numerus Clausus: One (1) 1 Outstanding Conductor for the Opera Repertoire and designation of 1 reserve Conductor

  • TOTAL CONDUCTING: 510 MINUTES
  • TOTAL CONDUCTING CLASSES: 60 HOURS
  • TOTAL THEORETICAL CLASSES: 30 HOURS
  • TOTAL CLASSES AND REHEARSALS: 130 HOURS
Listening Conductors:

*Numerus Clausus designated after evaluation and selection of candidates.

TOTAL CONDUCTING THEORETICAL AND PRACTICE AT REHEARSALS: 130 HOURS

SCHEDULE: From June 24th to July 22nd , 2018. * See schedules 

ORCHESTRAL TRAINING

Instrumentalists Active Members of the Orchestra:

*Numerus clausus: 118 instrumentalists and 9 reserve instrumentalists of the different groups.

  • PRACTICAL AND THEORETICAL CLASSES AND REHEARSALS: 240 hours
  • GROUPS CLASES: 27 hours
  • TUTTI CLASSES AND REHEARSALS: 78 hours
Listening Instrumentalists:

Available places will be determined after evaluation and consideration of the applications received.

TOTAL THEORETICAL CLASSES AND PRACTICE AT REHEARSALS: 240 HOURS

SCHEDULE:: From June 24th to July 22nd, 2018. * See Schedules

CORREPETITION

Active Correpetitors:

*Númerus Clausus: 5 (Numerus Clausus)

Listening Participants:

*Available places will be determined after evaluation and consideration of the applications received.

TOTAL THEORETICAL CLASSES AND PRACTICE AT REHEARSALS: 72 HOURS

SCHEDULE: From July 8th to July 22nd, 2018. *  See schedules

COMPOSITION TECHNIQUES

Participating Composers Active :

*Numerus Clausus designated after evaluation and selection of candidates.

TOTAL THEORETICAL CLASSES AND PRACTICE AT REHEARSALS: 35 HOURS

SCHEDULE:: From July 8th to July 15th, 2018. *See schedules

HISTORIC AND STYLISTIC ANALYSIS OF COMPOSITION

Active/Listening Participants:

*Numnerus Clausus designated after evaluation and selection of candidates.

TOTAL THEORETICAL-PRACTICAL CLASSES IN REHEARSAL: 35 HOURS
SCHEDULE:: From July 15th to July 22nd, 2018. * See schedules

TECHNIQUE AND INTERPRETATION OF SOLO INSTRUMENT – PIANO

Active pianists:

*Numerus clausus: 10

TOTAL CLASSROOM TRAINING: 20 HOURS
TOTAL CLASSES AND REHEARSALS: 40 HOURS

Listening Pianists::

*Numerus Clausus designated after evaluation and selection of candidates.

TOTAL THEORETICAL CLASSES AND PRACTICE AT REHEARSALS: 40 HOURS

SCHEDULE:: From July 1st to July 8th, 2018. * See schedules

TECHNIQUE AND INTERPRETATION OF SINGING

Singers Active Participants / Interpretes:

*Numerus clausus: 12

Soloists: Dramatic Sopran/ Bariton/ Lirico-spinto Tenor

Cover: Dramatic Sopran/ Bariton/ Lirico-spinto Tenor

Supporting Singers: Mezzo soprano/ Lyric tenor/ Bass/ Lyric Tenor/ Light Sopran/ Light Tenor

Choir: 4 Tenors, 4 Basses, 3 Sopranos, 3 Mezzo-Sopranos

  • TECHNIQUE REHEARSAL CORREPETITION: : 29 HOURS
  • TECHNIQUE TUTTI REHEARSAL: 10 HOURS
  • TECHNIQUE SOLO REHEARSAL: 10 HOURS
Singers Listening Participants:

*Numerus Clausus designated after evaluation and selection of candidates.

TOTAL TECHNIQUE CORREPETITION AND TUTTI REHEARSAL: 49 HOURS

SCHEDULE: : From July 8th to July 22nd, 2018. * See schedules

CYCLE OF CONFERENCES IMMC

The Cycle of Conferences IMMC is developed over the 4 weeks of the Courses, with a Symposium format, in which there will be Lectures, debates and conferences whose theme will focus on the knowledge learned at the IMMC from the different points of view of Orchestra Conducting, Critics, Press-Communication, Radio-Television, Culture and Art Management, Concert Halls, Theatres, Scenic Spaces, with the participation of Conductors, Composers, Journalists, Managers, Researchers, Critics and Academics of recognized prestige in the world of Classical Music

The estimated duration of the Cycle of Conferences is 60 hours.

TOTAL WORKLOAD

OF THE INTERNATIONAL MUSIC MASTER COURSES

480 HOURS

DEVELOPED IN 1 MONTH

Length workload of the IMMC

 

 

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